Author: Serra, Joaquim
The first of the Tres peces is called Matinal giving a popular air to the piano arpeggios. The second Cançó de Muntanya has clarinet pastoral improvisations. Finally, the third piece called Scherzo is a playful page structured in fugue style
Author: Rodríguez Picó, Jesús
The work Quatre Poemes (Four Poems) for clarinet and piano arose from four poems of Joan Brossa: these are inspired by the frivolous spirit and the elements of reflection and surrealism, and are based on a hidden rhythmic beat over which the two instruments dialogue.
Author: Rodríguez Picó, Jesús
The Nocturne for violin is divided into two contrasting parts, the first is slow and the second has faster and livelier rhythm, with some large intervals.
Author: Puertas, David
The collection Música amb canya by David Puertas is composed by the following themes: Pasdoble de nit, 1999, Ball de bastons d'Olivella and Música amb canya doble.
Author: Oltra, Manuel
The general inspiration of the piece stems from traditional music, although no traditional theme is referred to at any point during the piece. It could be described as a stroll (a suite) through various environments and atmospheres which abound with good taste that commences with a delicate, albeit rhythmic prelude introducing the two main elements on...
Author: Fleta Polo, Francisco
Capricho concertante no. 3 is a two-movement piece for flute and guitar. In this work, the order of the factors does not change the product, since both instruments are given the same concertante treatment, without giving either instrument prevalence over the other.
Author: Colomer, Consuelo
It is pure, simple music, transmitting the composer’s message full of nuances and colours, like those of a bouquet of flowers or those inspired by a tender smile.
Author: Colomer, Consuelo
The unembellished construct of these compositions by Consuelo Colomer makes them optimally suited for new cellists and pianists while allowing seasoned performers to enjoy the nuanced depths of each musical passage.
Author: Bertran, Moisès
Esguards silents is a piece in three movements, Uncertainty, Bewilderment and Desolation. Each one of them wants to express a emotional state as it could be felt by a child from any country in front of the disasters of a war.
Author: Bertran, Moisès
Blusing for Marcel tries to merge jazz features into Moisès Bertran' style, which is made of a vertical thinking of sonority, a love for expressive melody, a more or less traditional conception of form and rhythm, and a general melancholic ambiance, typical of the Catalan character of the author.
Author: Guinjoan, Joan
The Concerto for piano and chamber ensemble was composed in 1963 and was awarded the Schola Cantorum of Paris’ Composition Prize. It is a rather ‘raw’ piece. The piano part is most impressive but the thing that connects this concerto to the rest of the pieces of Guinjoan, is its rhythm.
Author: Fleta Polo, Francisco
The composer he does not limit himself to using the trumpet as a fanfare instrument; rather he makes use of all its resources. The piece, though not exceptionally difficult to play, is demanding at the chamber level. The piano part is optional: it reinforces the rhythmical element of the piece and can help to set tuning when the piece is played by...