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The play Auris Concertum by Alejandro Civilotti is a hymn about return to the world of sounds.
The Concert for Percussion and Orchestra by Pere J. Puértolas is a concert with a classical bent in three movements: Allegro, Andante moderato and Allegro con fuoco, and the brilliance of the soloist and, indeed, the whole orchestra is evident from the first few bars.
Concerto for Saxophone and Orchestra stems from the orchestration that made Lluís Benejam of one of his compositions, the Sonata for Saxophone and Piano, one of the most brilliant works of the author.
First and last movements of this Concerto by David Bozzo are made with the same thematic material and with a similar formal structure, like a house from where one leaves and where one returns.
There is a certain degree of continuity between the Concerto Nr. 1 for clarinet and orchestra (1989) and the Concerto Nr. 2 (1990), and they in fact have many similarities, such as the relationship that is established between the orchestra and the solo clarinet, the use of expressive clarinet passages of great technical complexity, and also thematic...
The structure of this Divertimento for orchestra of symphonic jazz is as follows: The 1st movement is an Allegro, with a joyful Fox rhythm; The 2nd movement, Moderato, has a Waltz time; The 3rd movement has a Slow tempo; Finally, the last movement is an Allegro molto, with a Ragtime rhythm.
The piece Fantasia Concertante, which is structured as a single movement, fits perfectly into the fantasia genre: a free discourse from the solo instrument which, in spite of being based on an initial theme, includes various themes by way of improvisation.
La Rosa dels Vents by Oscar Larios is a music tale for symphonic orchestral ensemble of elementary grade and narrator. The work has been composed and arranged to be played by musicians at least attending the third or fourth elementary grade. This edition has been revised and orchestrated to ensure maximum adaptability of the orchestration available to...
La Suite per viola i orquestra is imbued with the air of Hispanic festivity and Andalusian folklore which was so fashionable in the mid-20th century and is so appreciated by audiences around the world. Agustí Borgunyó displays a total mastery of orchestration as well as an exquisite taste for approaching the various themes without ever giving into the...
Variations for orchestra and piano op. 38 belongs to the symphony/concerto genre, with a brilliant piano part that weaves a continuous discourse through a series of virtuosic sections. It is presented and organised as a theme and five variations that make up an organic whole.
The Symphonic Variations on a theme by Henry Eccles, comprise one Theme, six Variations, one Cadence and a reprise of the theme. These small sections follow one anotherwithout any interruption, with the aim of creating a work with a single stroke within a structure is discontinuous in places.