Jesús Rodríguez Picó has arranged these 12 duets by W. A. Mozart focusing on the organization of these duets from lowest to highest difficulty, likewise, has also adapted some fragments which have a higher level.
These duets allow students to make a start on this repertoire, providing all the features of the style but with an intermediate level technique. The duets have been arranged by organising them from a lower to a higher degree of difficulty, and some more difficult extracts have been adapted.
Garcia Gago developes a simple melodic theme in Arioso, based on the Prelude No. 5 in D by Johann Sebastian Bach, while the work Clar de lluna (Moonlight) by Beethoven recives an impressionist brushwork of Josep Garcia Gago.
The work Au pays de la soif et de la peur is wonderfully expressive and unfolds in slow movements, making use of the full breadth of the two instruments’ ranges. Although he does not seek virtuosity, the performance of the work demands the utmost of performers, and above all, requires an extreme rapport.
Everything is so relative: past, present, future, etc.
Constant dialogue between the saxophone and piano. It's a reflective music that has a intimist character that invites to meditation.
This melody, taken from the repertoire of the chansonniers, is also representative of a musical repertoire that interested Poulenc, one which he made use of in the third movement of his Clarinet Sonata.
The initial cell of the descending arpeggio gives unity to the work that, despite its briefness, clearly shows the personality of Fleta Polo’s language and his deep knowledge of the different instruments he writes for.
Climes I has only one movement and is conceived in complete freedom, both in its harmonic aspects and its formal aspects. It is a lyric rhapsody where some chords and certain sequences act as structural elements in the composition, with the central part being poco scherzando to balance the score.
Calidoscopi III by F. Taverna-Bech is not just a descriptive work but features numerous reflective elements and a certain melancholy, like a flow of nostalgia for other times when, as a child, he was captivated by the toy.
Capricho concertante no. 3 is a two-movement piece for flute and guitar. In this work, the order of the factors does not change the product, since both instruments are given the same concertante treatment, without giving either instrument prevalence over the other.