This Scherzino for viola and piano is designed to demonstrate all the possibilities of the instrument and the player, in terms of both expressiveness and technical skill. It is a work that has remained in his catalogue as a little jewel, a product of his melodic inspiration and profound musical understanding.
These three suites for the cello form a provisional unit as it is very likely another one will be added.
Trio for violin, cello and piano no. 1 by Lluís Benejam is structured into four movements, has a duration of nearly twenty minutes and an optimistic, romantic feel.
The title Fantasia reflects the free use of the different formal resources used. We can therefore recognise the Variation, the Fugue and the structural elements of the Sonata form that are essential in structuring a work of certain complexity.
The lyric first movement starts the piece with three flutes and alto flute. The second movement, a perpetual motion scherzo, begins with four C-flutes. There is no break between the third and fourth movements, and takes places over an ostinato. The piece comes to a bravura and virtuosic finale.
This work is a tribute to the composer and flutist Robert Dick, who explored the resources of the instrument, The other flute, as Dick called it. The interpreter will perceive this work as a challenge to achieve and will discover a world of sonic possibilities of the flute.
This piece seeks to reflect on the thoughts and worries that come and go, when you travel by train, while linking up with others, with those of other passengers, even, who get on and off the train, bringing their own thoughts, ever more remote, with them, with their gaze lost in infinity. Finally, the train arrives at the station and the travellers...