The initial cell of the descending arpeggio gives unity to the work that, despite its briefness, clearly shows the personality of Fleta Polo’s language and his deep knowledge of the different instruments he writes for.
The title Fantasia reflects the free use of the different formal resources used. We can therefore recognise the Variation, the Fugue and the structural elements of the Sonata form that are essential in structuring a work of certain complexity.
Guspires by Mercè Torrents is a divertimento inspired by sparks from a firework.
The Miniatures are small pieces for small groups (from duets, trios and quartets to groups of eleven players) which explore the possibilities of the performers from the perspective of sound rather than technique or virtuosity.
This work is a small poem with a simple and cantabile language, in which all instruments have the same level of prominence.
This trio is the result of a visit of the author to the Joan Miró Foundation in Barcelona to see an exhibition by the Catalan artist. A few of these works grabbed her attention, specially the Dos ocells solars .
The Prelude and Dance follows a typical structure of Frederic Monpou, and the Finale closes the work.
The Trio Concertante is divided into three conventional movements. A theme, sad and meditative in character, appears at the beginning which is later repeated at different points in the work. Apart from these brief passages, the instrumental treatment is virtuoso and rhythmic in nature.