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This work is a tribute to the composer and flutist Robert Dick, who explored the resources of the instrument, The other flute, as Dick called it. The interpreter will perceive this work as a challenge to achieve and will discover a world of sonic possibilities of the flute.
This piece seeks to reflect on the thoughts and worries that come and go, when you travel by train, while linking up with others, with those of other passengers, even, who get on and off the train, bringing their own thoughts, ever more remote, with them, with their gaze lost in infinity. Finally, the train arrives at the station and the travellers...
Two themes inspired by Verdi serve to create different variations and juxtapositions, which never appear in the same way.
The work Au pays de la soif et de la peur is wonderfully expressive and unfolds in slow movements, making use of the full breadth of the two instruments’ ranges. Although he does not seek virtuosity, the performance of the work demands the utmost of performers, and above all, requires an extreme rapport.
The title of this work refers to dispersion and contrasts of the points of color and light of Claude Monet's paintings related to the Giverny garden, which were the starting point for establishing a similarity to the sounds of the flute and guitar.
Sonata for Clarinet and piano, Op. 46 was written in the spring of 1988. The Clarinet Sonata is conceivedin two movements. The first one is written in Sonata form.
Soldados de plomo (Lead Soldiers) is a simple piece, inspired by the memory of the games that children used to play with miniature lead soldiers.
Caprici per a corn anglès i piano by Francisco Fleta Polo is a piece which does not seek out the virtuosity of the solo instrument but which emerges as a lyrical chant, a piece in which the English horn can show off its more cantabile side.
Three short compositions created at two different times yet with an evident desire for unity. These are open structures in the style of a fantasy, with a fluid line from start to finish.
First and last movements of this Concerto by David Bozzo are made with the same thematic material and with a similar formal structure, like a house from where one leaves and where one returns.
Most of the more than twenty impromptus in Fleta’s catalogue are dedicated to string instruments but in this particular case the main protagonist is the oboe.