Subcategories
Author: Padrós, David
Padrós chose titles with anonymous melodies, which he was complementing with a good amount of counterpoint and modal harmonies, and are an unusual accompaniment for piano.
Author: Padrós, David
David Padrós harmonize these seventeen Catalan songs during the summer of 1998. He chose the lesser-known songs, the most hidden songs in the collective memory.
Author: Padrós, David
David Padrós harmonize these seventeen Catalan songs during the summer of 1998. He chose the lesser-known songs, the most hidden songs in the collective memory.
Author: Padrós, David
David Padrós harmonize these seventeen Catalan songs during the summer of 1998. He chose the lesser-known songs, the most hidden songs in the collective memory.
Author: Padrós, David
David Padrós harmonize these seventeen Catalan songs during the summer of 1998. He chose the lesser-known songs, the most hidden songs in the collective memory.
Author: Padrós, David
David Padrós harmonize these seventeen Catalan songs during the summer of 1998. He chose the lesser-known songs, the most hidden songs in the collective memory.
Author: Bertran, Moisès
Blusing for Marcel tries to merge jazz features into Moisès Bertran' style, which is made of a vertical thinking of sonority, a love for expressive melody, a more or less traditional conception of form and rhythm, and a general melancholic ambiance, typical of the Catalan character of the author.
Author: Colomer, Consuelo
Contrasts of light and shadows, like those you might find inside a kaleidoscope, where mirrors reflect the shards of glass.
Author: Taverna-Bech, Francesc
The eight short movements of Calidoscopi I by Francesc Taverna-Bech emerge around a set of twelve sounds –almost never followed in the original order– and a rhythmic motif.
Author: Colomer, Consuelo
Five short ideas for a full keyboard. They are small moving passages that convey certain emotions.
Author: Taverna-Bech, Francesc
In this collection the author has expressed his vision of the night when the city is silent, and the vision of the moon looks down on us and lights our way.
Author: Taverna-Bech, Francesc
The first and last of the five pieces may be considered as an interplay of expressive contrasts. The second is an invention of an atonic character. The third is an kind of anti-romantic waltz, while the fourth piece is the simple evocation of the night with its murmurs and fading sonority.