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The first movement is almost a perpetual movement in which the imitative writing stands out from the first to the last bar. The second movement, slower and reflexive, raises an issue that is revealed on three occasions.
The composer he does not limit himself to using the trumpet as a fanfare instrument; rather he makes use of all its resources. The piece, though not exceptionally difficult to play, is demanding at the chamber level. The piano part is optional: it reinforces the rhythmical element of the piece and can help to set tuning when the piece is played by...
Lluís Benejam’s music flows forth from an open and vivacious spirit, susceptible to different influences. His work includes reminiscences of impressionism and jazz, incorporated in a personal way of understanding music: