Author: Benejam, Lluís
Composed during spring 1966, the Sonata for Piano is a fresh, direct work, structured in three movements and involving a certain amount of difficulty, even though it does not explore all the possibilities of the instrument or demand exceptional virtuosity from the player.
Author: Benejam, Lluís
Composed during spring 1966, the Sonata for Piano is a fresh, direct work, structured in three movements and involving a certain amount of difficulty, even though it does not explore all the possibilities of the instrument or demand exceptional virtuosity from the player.
Author: Benejam, Lluís
This piece clearly shows post-impressionist traits, modal turns of phrase, a wealth of registers, a constant rhythm, a taste for chromatic modulations and a mastery of counterpoint. Although the alto saxophone is undoubtedly the protagonist throughout the piece, the piano is not restricted to an accompanying role but is instead clearly involved in the...
Author: Fleta Polo, Francisco
Fleta captures the public's attention to the use of all the resources of the viola with great skill, consistency and intelligence.
Author: Benejam, Lluís
This is a mature and solid work in which the author once again demonstrates not only his knowledge of the possibilities of the solo instrument but also of the chamber music language.
Author: Brotons, Salvador
This work was composed in 1978.
Author: Soler, Josep
The possibilities of the piano within the grave range had been explored by several composers throughout the 20th century, but on this occasion, Soler’s music seeks out expressiveness rather than virtuosity.
Author: Soler, Josep
The possibilities of the piano within the grave range had been explored by several composers throughout the 20th century, but on this occasion, Soler’s music seeks out expressiveness rather than virtuosity.
Author: Ortega, Miquel
The Sonatina for piano is not an excessively difficult work from a technical point of view and, except for the third movement, as with many Sonatinas from the majority of composers, it is all imbued with a feeling of happiness appropriate for its nature as a Scherzo.
Author: Bertran, Moisès
The Prelude and Dance follows a typical structure of Frederic Monpou, and the Finale closes the work.
Author: Bertran, Moisès
The Prelude and Dance follows a typical structure of Frederic Monpou, and the Finale closes the work.