Author: Colomer, Consuelo
The unembellished construct of these compositions by Consuelo Colomer makes them optimally suited for new cellists and pianists while allowing seasoned performers to enjoy the nuanced depths of each musical passage.
Author: Ortega, Miquel
Stabat Mater was influenced by the choral techniques that the author learned from maestros Gandolfi and Sicuri, to whom he dedicates this piece, and also the knowledge he acquired at that time from choral works such as Carmina Burana by Carl Orff, amongst others.
Author: Soto, Pere
In this work the composer experiments with the technique of applying sculpture to music. At the same time he incorporates improvisations with the sole purpose of letting out his feelings and constructing emotional structures, and it is then that the notes cease to have any real importance in themselves.
Author: Benejam, Lluís
In his String Trio No. 1 (1956) Lluís Benejam plays with the sounds of two violins and a viola from a classical premise yet with a modern spirit.
Author: Benejam, Lluís
In his String Trio No. 1 (1956) Lluís Benejam plays with the sounds of two violins and a viola from a classical premise yet with a modern spirit.
Author: Valls Duran, Pere
This work contains two main qualities that make it very special, the technical challenge for the performer and their characteristic features of Spanish music.
Author: Valls Duran, Pere
This work contains two main qualities that make it very special, the technical challenge for the performer and their characteristic features of Spanish music.