Author: Soto, Pere
The work Colom-biz by composer Pere Soto Tejedor represents a real challenge for every guitarist of the camera ensemble, as each guitar can be a piece in solo format, given its high musical and technical complexity.
Author: Soler, Josep
The expression of Soler’s music takes the lead in each bar of the work. The priority the author gives to the expressive act translates into a large number of precise indications for the interpreters which go from pianissimo with four ps, to fortissimo with four fs, notes on the phrasing (even fingerings), and the search for concrete sounds and textures.
Author: Soler, Josep
The expression of Soler’s music takes the lead in each bar of the work. The priority the author gives to the expressive act translates into a large number of precise indications for the interpreters which go from pianissimo with four ps, to fortissimo with four fs, notes on the phrasing (even fingerings), and the search for concrete sounds and textures.
Author: Ferrer, Enric
The Concerto for bassoon and string orchestra was commissioned by bassoonist Vasil Nikolov. This is a concerto with a certain austerity and intimacy, which at the same time allows the bassoon to unleash its captivating and magical capacities. Vasil Nikolov with the Radio Sofia Symphony Orchestra under composer direction recorded it the CD will be...
Author: Puértolas, Pere J.
The Concert for Percussion and Symphony Orchestra by Pere J. Puértolas keeps the same structure of a classical concert. Moreover, it's a very complex concert that required absolute mastery of every aspect of percussion.
Author: Puértolas, Pere J.
The Concert for Percussion and Orchestra by Pere J. Puértolas is a concert with a classical bent in three movements: Allegro, Andante moderato and Allegro con fuoco, and the brilliance of the soloist and, indeed, the whole orchestra is evident from the first few bars.
Author: Guinjoan, Joan
The Concerto for piano and chamber ensemble was composed in 1963 and was awarded the Schola Cantorum of Paris’ Composition Prize. It is a rather ‘raw’ piece. The piano part is most impressive but the thing that connects this concerto to the rest of the pieces of Guinjoan, is its rhythm.