The music of this quintet is clearly thematic and brings together highly chromatic fragments with a profound lyricism.
Tonightingale exudes austerity with clarity and concision.
This work is a small poem with a simple and cantabile language, in which all instruments have the same level of prominence.
The work Variations on the Theme "Cuncti Simus Concanentes" from the Llibre Vermell de Montserrat explores the theme through a series of matrices based on this theme, starting with a light movement that progressively moves on to different structural passages, gradually increasing in speed and culminating in a tremolo in the final chord.
Vara per dos by Josep M. Mestres Quadreny is a work in three small movements for piano for 4 hands.
The melodic willingness of the Soliloqui IV by Joaquim Homs is framed in a rhetorical approach in which imitations, mutations and derivations are used to construct a discourse in which the emotional content of the sound and its relationship with the silence takes the lead role.
The title of this work refers to dispersion and contrasts of the points of color and light of Claude Monet's paintings related to the Giverny garden, which were the starting point for establishing a similarity to the sounds of the flute and guitar.
Was composed in 1978 following a visit to Algeria and the Sahara desert, Tamanrasset. The premiere was in 2006 by the Australian guitarist Rene Mora. The Suite de Tamanrasset is structured into four movements in which liberty and the sensation of improvisation prevail, while at the same time exploring the various resources of the guitar.
This composition is based on the painting of the same title by Joan Miró. It is a short piece in a “naïve” style.