Author: Homs, Joaquim
Towards the end of 1949, the composer focused on composing his third string quartet, for which he went back to two musical themes, quite different one from the other, that he sketched around 1931-1932.
Author: Homs, Joaquim
Towards the end of 1949, the composer focused on composing his third string quartet, for which he went back to two musical themes, quite different one from the other, that he sketched around 1931-1932.
Author: Bacchus, Peter
The lyric first movement starts the piece with three flutes and alto flute. The second movement, a perpetual motion scherzo, begins with four C-flutes. There is no break between the third and fourth movements, and takes places over an ostinato. The piece comes to a bravura and virtuosic finale.
Author: Bacchus, Peter
The lyric first movement starts the piece with three flutes and alto flute. The second movement, a perpetual motion scherzo, begins with four C-flutes. There is no break between the third and fourth movements, and takes places over an ostinato. The piece comes to a bravura and virtuosic finale.
Author: Rodríguez Picó, Jesús
In the Quartet per a clarinets is often used extreme registers and dynamic contrasts, and those different timbres associated with these records create an effect of constant tension.
Author: Rodríguez Picó, Jesús
Quasi una polka is a bit of symphonic fun written by Jesús Rodríguez Picó. The instrumentation confers a certain importance on the percussion which besides the drums, also uses other instruments to emphasize phrases or add color to a piece which is already rich in pitch variety and whose rhythm is of a dance from the first bar.