Author: Sardó, Adrià
Gestures are what the conductor uses to communicate with the orchestra and to be able to express what he feels about the music it is playing.
Author: Sardó, Adrià
Gestures are what the conductor uses to communicate with the orchestra and to be able to express what he feels about the music it is playing.
Author: Rodríguez Picó, Jesús
El paradís de les muntanyes, with libretto by Miquel Desclot, is a chamber opera with one act and 10 scenes; the imagined text places some archetypical characters in some dramatic situations far from what is “reasonable”; it makes a musical treatment that is varied and contrasted easier, which may highlight the poetic, grotesque and dramatic elements of...
Author: Roche, Elisa
Elisa Roche bequeaths us in this book her reflections on music education, their analysis; work she did from her position as technical advisor in order to the reform of artistic studies in the Ministry of Culture and Science of the Government of Spain between 1990 and 1996, which was the basis for the change in the system of musical education occurred in...
Author: Roche, Elisa
Elisa Roche bequeaths us in this book her reflections on music education, their analysis; work she did from her position as technical advisor in order to the reform of artistic studies in the Ministry of Culture and Science of the Government of Spain between 1990 and 1996, which was the basis for the change in the system of musical education occurred in...
Author: Civilotti, Alejandro
This work of Civilotti shows remarkable imaginative individuality, with a stable emotional atmosphere, and management of unreleased sounds that trap the attention until the end.Jorge Aráoz Badí
Author: Civilotti, Alejandro
This work of Civilotti shows remarkable imaginative individuality, with a stable emotional atmosphere, and management of unreleased sounds that trap the attention until the end.Jorge Aráoz Badí
Author: Benejam, Lluís
The Elegy About an Incaic Theme is a brief piece. This external briefness adjusts perfectly with an internal conciseness of the language, which grants the piece practically symetrical proportions, without the least moment of weakening or discouragement.