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Miniaturas (1966)

As its title indicates, Miniaturas is built upon the foundations of small thematic cells. The first piece is characterized by the counterpointing of contrasts, and is followed by one which progresses from a bleakness of atmosphere to attain a marked lyricism. The third and final piece makes allusion to a progressively complex rhythm which ends with the tick-tock of a metronome.

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Miniaturas (1966)

Reference: DAC165

Author:
Guinjoan, Joan

As its title indicates, Miniaturas is built upon the foundations of small thematic cells. The first piece is characterized by the counterpointing of contrasts, and is followed by one which progresses from a bleakness of atmosphere to attain a marked lyricism. The third and final piece makes allusion to a progressively complex rhythm which ends with the tick-tock of a metronome.

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Edition: Digital

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Period	20th c.
Instruments	vl.cl.pno.bat.
Pages	40
Time	10 min.
Contents	score + parts
ISMN	979-0-3502-0841-6
Price of print edition	23€
Edition	Digital

This composition divided into three short pieces, is of great importance to its author. It was his first major work and, furthermore, was premiered at the inaugural concert of the ensemble Diabolus in Musica, which took place on June 3, 1966 in Barcelona. The group that performed that night was made up of Juli Panyella, Robert Armengol, Àngel Soler and Josep M. Alpiste, under the direction of Guinjoan himself.