Author: Padrós, David
Padrós chose titles with anonymous melodies, which he was complementing with a good amount of counterpoint and modal harmonies, and are an unusual accompaniment for piano.
Author: Homs, Joaquim
In the Duo for flute and guitar all the melodic lines are derived from the fluctuation of intervals included within the range of minor and major thirds, melancholic in tone and which, in those moments of greatest expressive intensity, expand into wider lines and chords.
Author: Valls Duran, Pere
The work 4 juguetes by Pere Valls was written in 1912, consisting of an Andalusian Caprice entitled Soledad (Solitude), a Minuet, a Gavotte Caprice, with the title Aromas del bosque (Aromas of the forest) and ending with El canto de la vieja (The song of the old woman), subtitled Catalanesca.
Author: Benejam, Lluís
Lluís Benejam’s music flows forth from an open and vivacious spirit, susceptible to different influences. His work includes reminiscences of impressionism and jazz, incorporated in a personal way of understanding music:
Author: Taverna-Bech, Francesc
Cicle per a viola sola by Francesc Taverna-Bech has a strongly lyrical character; it has four movements which counterpose each other, but there is a lot of similarity between the second and fourth movements.
Author: Serra, Joaquim
Estampes Simfòniques has two parts: Danza Gitana and Fiesta Andaluza. The second movement is structured around a nocturnal air, while the centre of the first movement contains a habanera rhythm.
Author: Civilotti, Alejandro
These pieces are dedicated to the memory of the composer’s nephew, Sergio Javier Godoy who died in April 2005, and were written two months later. The meaning of these four pieces for guitar and clarinet is to establish a dialogue with those questions will never be answers.
Author: Beltrán, José María
This edition aims to present these caprices as mini-concert works as well as studies which can especially develop double-stop left hand technique and varied spiccato bow strokes.
Author: Lamote de Grignon, Ricard
The pieces for piano that comprise this album originate in different eras and vital moments. They cover a wide period, between 1936 and 1952, which corresponds with great precision to the era in which the “political purging” was applied to both masters. These pieces were kept until now into the family archives of the Lamote family.