Author: Serra, Joaquim
Estampes Simfòniques has two parts: Danza Gitana and Fiesta Andaluza. The second movement is structured around a nocturnal air, while the centre of the first movement contains a habanera rhythm.
Author: Civilotti, Alejandro
These pieces are dedicated to the memory of the composer’s nephew, Sergio Javier Godoy who died in April 2005, and were written two months later. The meaning of these four pieces for guitar and clarinet is to establish a dialogue with those questions will never be answers.
Author: Beltrán, José María
This edition aims to present these caprices as mini-concert works as well as studies which can especially develop double-stop left hand technique and varied spiccato bow strokes.
Author: Lamote de Grignon, Ricard
The pieces for piano that comprise this album originate in different eras and vital moments. They cover a wide period, between 1936 and 1952, which corresponds with great precision to the era in which the “political purging” was applied to both masters. These pieces were kept until now into the family archives of the Lamote family.
Author: Sardó, Adrià
Gestures are what the conductor uses to communicate with the orchestra and to be able to express what he feels about the music it is playing.
Author: Guzmán, Josep Lluís
In J. Lluís Guzman’s work we can find an invocation of the new spirit in the principal theme, in the melody that runs past the sardana’s rhythm and that becomes a new anthem that reminds of his passion for Catalan culture through the collection of songs that Alió past us on.
Author: Benejam, Lluís
The catalogue of works by Lluís Benejam contains around sixty pieces which include 11 songs for voice and piano with poems from some of the best Catalan poets. Just three of the manuscripts are dated so we can place them at between 1944 and 1949, thus they were very probably among his earliest compositions. However, they already contained many of the very...
Author: Valls Duran, Pere
The work 4 juguetes by Pere Valls was written in 1912, consisting of an Andalusian Caprice entitled Soledad (Solitude), a Minuet, a Gavotte Caprice, with the title Aromas del bosque (Aromas of the forest) and ending with El canto de la vieja (The song of the old woman), subtitled Catalanesca.