Subcategories
Author: Benejam, Lluís
The Preludio Hondo by Lluís Benejam is a short piece which exudes happiness in 217 intense bars that make this work a real treasure.
Author: Benejam, Lluís
The style of Quartet de corda número 1 (String Quartet No. 1) by Lluís Benejam is highly expressive and includes a rhythmic accent to enhance a free and lively melody.
Author: Benejam, Lluís
The Viola and Piano Sonata has a constant rhythmical impulse, a liking for long and wide melodies as well as chromatic accompaniments, counterpoint richness, impressionist touches, perfectionism in structure and the use of all the tessitura and different resources as well as sounds coming from the instruments, in this case stressing the use of the viola.
Author: Benejam, Lluís
Very successful version of the original Sonata for violin and piano No. 1.
Author: Benejam, Lluís
This piece clearly shows post-impressionist traits, modal turns of phrase, a wealth of registers, a constant rhythm, a taste for chromatic modulations and a mastery of counterpoint. Although the alto saxophone is undoubtedly the protagonist throughout the piece, the piano is not restricted to an accompanying role but is instead clearly involved in the...
Author: Benejam, Lluís
The collection Three pieces for oboe and string quartet is, then, one of the first scores Lluís Benejam ever composed, despite which the musical language that would later characterise Benejam’s work is already present in its basic form.
Author: Benejam, Lluís
Lluís Benejam’s music flows forth from an open and vivacious spirit, susceptible to different influences. His work includes reminiscences of impressionism and jazz, incorporated in a personal way of understanding music:
Author: Bertran, Moisès
Blusing for Marcel tries to merge jazz features into Moisès Bertran' style, which is made of a vertical thinking of sonority, a love for expressive melody, a more or less traditional conception of form and rhythm, and a general melancholic ambiance, typical of the Catalan character of the author.
Author: Bertran, Moisès
Concertino for Piano and Strings is characterised by its organic and straight-forward construction, developed with a modesty and simplicity in its musical themes and expressions, which affords it a sense of unity, transparency and clarity.
Author: Bertran, Moisès
Esguards silents is a piece in three movements, Uncertainty, Bewilderment and Desolation. Each one of them wants to express a emotional state as it could be felt by a child from any country in front of the disasters of a war.
Author: Bertran, Moisès
The work is written in ternary form and broadly speaking it is composed as an improvisation. After a short introduction, appear the main lyrical theme on the horn. In the middle of the piece there is a section in a jazz style, which has some interesting figures on the piano. The most noteworthy features is its expressive depth, which is at its greatest in...
Author: Bertran, Moisès
Miniatures per Gaudí is written in seven short movements that are performed without a break and therefore form a continuous multi-sectional structure. The seven pieces, entitled Prelude, Toccata I, Cantilena, Scherzo, Interlude, Toccata II and Melody, are based on the set of musical notes derived from the letters that form the surname of the modernist...