Author: Benejam, Lluís
A work which shows a great maturity in the language, a good knowledge of the solo instrument, a wide regulatory freedom and balanced flow of rhythmic variation.
Author: Colomer, Consuelo
The composition is of medium difficulty; seeking to describe something inexplicable by making the interpreter a creative conduit for the piece. The work engenders a sense of bliss that guides the interpretation of the pieces.
Author: Benejam, Lluís
This is a mature and solid work in which the author once again demonstrates not only his knowledge of the possibilities of the solo instrument but also of the chamber music language.
Author: Benejam, Lluís
This piece clearly shows post-impressionist traits, modal turns of phrase, a wealth of registers, a constant rhythm, a taste for chromatic modulations and a mastery of counterpoint. Although the alto saxophone is undoubtedly the protagonist throughout the piece, the piano is not restricted to an accompanying role but is instead clearly involved in the...
Author: Benejam, Lluís
Benejam was an excellent violinist and also an excellent composer. It is therefore hardly surprising that the works he dedicated to this instrument are of the most exquisite quality and discernment.
Author: Benejam, Lluís
Benejam was an excellent violinist and also an excellent composer. It is therefore hardly surprising that the works he dedicated to this instrument are of the most exquisite quality and discernment.
Author: Rodríguez Picó, Jesús
The Sonata Marina is divided into three movements, the first begins with a slightly nostalgic saxophone theme, the second focuses on the idea of distance and not return, the third initiated by an allusion to Mahler's music, has a more free-flowing and bright style.
Author: Soler, Josep
Two themes inspired by Verdi serve to create different variations and juxtapositions, which never appear in the same way.
Author: Soler, Josep
Two themes inspired by Verdi serve to create different variations and juxtapositions, which never appear in the same way.
Author: Fleta Polo, Francisco
Following the principles that guide all Fleta’s works, the Sonata for Cello was written essentially to please the performer, with the conviction that if the player enjoyed performing it, then the audience would enjoy listening to it.