Author: Fleta Polo, Francisco
The composer he does not limit himself to using the trumpet as a fanfare instrument; rather he makes use of all its resources. The piece, though not exceptionally difficult to play, is demanding at the chamber level. The piano part is optional: it reinforces the rhythmical element of the piece and can help to set tuning when the piece is played by...
Author: Fleta Polo, Francisco
The composer he does not limit himself to using the trumpet as a fanfare instrument; rather he makes use of all its resources. The piece, though not exceptionally difficult to play, is demanding at the chamber level. The piano part is optional: it reinforces the rhythmical element of the piece and can help to set tuning when the piece is played by...
Author: Fleta Polo, Francisco
The composer he does not limit himself to using the trumpet as a fanfare instrument; rather he makes use of all its resources. The piece, though not exceptionally difficult to play, is demanding at the chamber level. The piano part is optional: it reinforces the rhythmical element of the piece and can help to set tuning when the piece is played by...
Author: Fleta Polo, Francisco
In the opening section of Caprici núm. 2 by F. Fleta Polo the instruments are presented one by one through the use of solo parts, before merging to form the chamber piece proper, and the contrapuntal writing can be seen throughout in a piece whose appeal lies in its contrasts in colour and character.
Author: Fleta Polo, Francisco
Caprici per a corn anglès i piano by Francisco Fleta Polo is a piece which does not seek out the virtuosity of the solo instrument but which emerges as a lyrical chant, a piece in which the English horn can show off its more cantabile side.
Author: Fleta Polo, Francisco
Caprici per a corn anglès i piano by Francisco Fleta Polo is a piece which does not seek out the virtuosity of the solo instrument but which emerges as a lyrical chant, a piece in which the English horn can show off its more cantabile side.
Author: Soto, Pere
A work with dynamic great wealth using all the instrument's resources.
Author: Taverna-Bech, Francesc
Cicle per a viola sola by Francesc Taverna-Bech has a strongly lyrical character; it has four movements which counterpose each other, but there is a lot of similarity between the second and fourth movements.