4 cançons s/ poemes de F. García Lorca View larger

4 cançons sobre poemes de F. García Lorca

E709

Ferrer, Enric Author:
Ferrer, Enric

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The unit of the 4 cançons stems from their common features: cadences and melodic turns that appear at different moments. Enric Ferrer has managed to maintain a perfect equilibrium and achieve the ideal symbiosis by adapting the music to the poem it represents.

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41,60 € tax incl.

Edition: Printed

    Period 20th c.
    Subheading / Parts La Lola - Amparo - Balcón - Casida de la Muchacha Dorada
    Instruments mezz/bar - 1111 - 1000 - archi
    Text language Spanish
    Pages 91
    Time 20 min.
    Contents Score
    ISMN 979-0-3502-0791-4
    Remarks The parts are available in rent regime. Contact with the publisher.
    Others Federico García Lorca (poems)
    Edition Printed

    Having read and reread, countless times, the poems of Federico García Lorca, in 2002, during a break while he was writing La Passió de Jesucrist, l'etern vivent, Ferrer started composing Amparo, about which he remarks: I did it in a single afternoon, I just couldn't stop, something that's never happened to me before with any of my other compositions. He composed La Lola, Balcón and Casida de la Muchacha Dorada over the next two years. Originally they were intended for voice and piano (Clivis, E709), and immediately afterwards a version for chamber orchestra was written. In 2011, Ferrer was invited to conduct a concert of his works with the Symphonic Orchestra of Sofia (Bulgaria) which resulted in a third version of the songs, for voice and symphony orchestra: the version that was finally premiered.
    Although in principle the composer had not conceived the songs as a set, we recommend that for the best end result they are performed in the form of a series and in the same order that we have published them.
    Their unit stems from their common features: cadences and melodic turns that appear at different moments. Enric Ferrer has managed to maintain a perfect equilibrium and achieve the ideal symbiosis by adapting the music to the poem it represents.

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