Remembering Millàs, this short piece contains the melodic potential of the chosen medieval song in the form of variations, using a discreet modal language with brief dissonances that do not affect the consistency of the musical approach.
The author captures the detail of the little things, from subtle moments to extract the musical symbols. His language is clear and essential.
The variable order of the twelve tones of the chromatic scale is very present in the construction of both preludes, but simultaneously maintains an harmonic cadential substrate.
Advanced level exercices for chromatic progression improvement of fingering in all saxophone logs.