Author: Fàbregas, Jordi
Quatre tocs amb canya (Four touches with reed) by Jordi Fàbregas has four separate parts: Cor de foc (Heart of Fire), Ball a quatre (Dance to Four), Trànsit (Transit) and Ball gemmat (Lush Dance).
Author: Borgunyó, Agustí
La Suite per viola i orquestra is imbued with the air of Hispanic festivity and Andalusian folklore which was so fashionable in the mid-20th century and is so appreciated by audiences around the world. Agustí Borgunyó displays a total mastery of orchestration as well as an exquisite taste for approaching the various themes without ever giving into the...
Author: Bonastre, Francesc
The musical language used linked to the rich potential of Espriu’s poetry.
Author: Torrents, Mercè
What these poems have in common is the way in which they discuss simple things that evoke feelings or sensations of peace and fulfillment in us.these poems have in common is the way in which they discuss simple things that evoke feelings or sensations of peace and fulfillment in us.
Author: Soler, Josep
The work is based on a summary of four songs from the Llibre Vermell (Red Book) by Montserrat.
Author: Garreta, Juli
These nineteen songs for voice and piano, composed by a still young Juli Garreta during the first decade of the twentieth century, present us with a very varied set of sensibilities on poems that distill the most authentic essence of Catalan poets of the Modernist period.
Author: Bosch, Lluís M.
The author captures the detail of the little things, from subtle moments to extract the musical symbols. His language is clear and essential.
Author: Romaní, Raimon
This composition was commissioned for the fi fth anniversary of the dedication of the basilica of the Sagrada Família in Barcelona.
Author: Guinjoan, Joan
Remembering Millàs, this short piece contains the melodic potential of the chosen medieval song in the form of variations, using a discreet modal language with brief dissonances that do not affect the consistency of the musical approach.